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Ashlyn longs to be on stage, but her inability to accept herself keeps her from pursuing that dream. When confronted with the opportunity to audition for the lead role in her school's play, Ashlyn must decide whether to hide who she is or risk showing herself.

Pepe is 15. His life in social misery changes completely when he is chosen as the main character of a film production. Shot on location where he lives with his primitive, brutal and authoritarian father, a pig farmer.

Everyone is happy for rising Asian American actor GQ Qi – the network, his mother, his best friend – everyone except GQ himself. Heʼs stuck playing an offensive stereotype on a sitcom, and the day he decides to speak up for himself on set, the executive producer fires him. Struggling to pick up the pieces, he starts dating casting director Rachel. Love and work become intertwined.

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When a self-absorbed movie star discovers that his co-star/man in the chair is an actual agent, he's forced to swallow his pride and accept that action stars aren’t really action heroes…while trying to save the world.

Two budding activists, Audre and Kali, ages 10 and 11, are motivated by their families and communities to lead and fight for causes they believe in.

A retrospective of the life and career of actor Cary Grant, including clips from his films and interviews with his friends and co-workers.

在这个故事的核心是一位名叫奥罗拉·格埃拉的著名女演员，她在很小的时候就凭借青少年系列剧《天选之人》走红。奥罗拉的父母艾琳和胡里奥在几年前帮她报名参加了一场试镜，当时家族中的女家长意识到决定权在于她和另一个女孩之间，于是设法影响了试镜导演，让奥罗拉成功胜出。卢西亚同样怀揣着成为一名成功女演员的梦想，也报名参加了试镜，但她很快发现了艾琳的计谋，并决定与其对抗。两人之间爆发了一场激烈的争吵后，卢西亚遭遇意外，这场事故差点夺走了她的生命，并由于留下的身体残疾，终结了她成为演员的梦想。二十年后，卢西亚决心复仇。这位年轻女子想要夺回她认为奥罗拉从自己那里夺走的东西，却未曾想到，她只是艾琳邪恶行为的受害者之一。

"John Smith's Leading Light evolves a sense of screen depth and surface through the simple agency of light. The film is shot in a room over a period of a day and records the changes in light through the single window. The image is controlled through manipulation of aperture, of shutter release, of lens, but the effect is more casual than determined and the spectator is aware primarily of the determining nature of following sunlight." Deke Dusinberre 'Perspectives on British Avant-Garde Film' catalogue 1977